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Important notice

The walk up to the tower is currently very muddy, we recommend strong footwear.

History

Smailholm’s 20m-tall tower house, its walls 2.5m deep, dominates a rocky craig. The Pringles, who built this border stronghold in the first half of the 1400s, were a prominent local family.

As the laird’s residence, the tower housed cellars on the ground floor and a great hall on the first floor. There was a bedchamber on the second floor and further chambers at the top.

Views from the battlements are impressive: on a good day, you can see mighty Bamburgh Castle, 33 miles away in Northumberland.

The ruined foundations of an outer hall and kitchen block lie in the shadow of the tower. A stout defensive wall encloses the barmkin (courtyard).

View gallery

Border families and reivers

As squires of the powerful earls of Douglas, the Pringles had the role of warden of the Ettrick Forest – a profitable position. But like everyone else either side of the border, they suffered at the hands of the reivers (cattle raiders).

During two raids in 1544, Northumberland reivers got away with more than 700 cattle and 100 horses. This may have prompted the family to relocate in the later 1500s to Galashiels (their burial vault was in Melrose Abbey).

In 1645, the Scotts of Harden, near Hawick, bought the tower and estate. They already had a fine house, so they leased Smailholm to a kinsman, Walter ‘Beardie’ Scott – better known as Sir Walter Scott’s great-grandfather.

Tower house in the distance reflected in a still pond surrounded by tall reeds and greenery.

Smailholm and Sir Walter Scott

Walter Scott was born in Edinburgh in 1771, but was sent by his parents to Smailholm as a sickly infant for the good of his health.

Scott was 18 months old when he came to Sandyknowe Farmhouse, the dwelling that replaced Smailholm as the Scott family home. There his grandmother and aunt told him tales of the border countryside.

In his old age, Scott described the powerful effect on his imagination of these border ballads and the sight of his ancestors’ ancient tower, “standing stark and upright like a warden”.

In 1802, Scott published his much acclaimed Minstrelsy of the Scottish Border. He paid an emotional visit to Smailholm shortly before his death in 1832.

Statement of Significance

Read our Statement of Significance to learn more about what makes Smailholm Tower so special.

Read more
Stone tower at dusk with a large orange moon rising behind it.

The remarkable art of Anne Carrick

Anne Carrick’s handmade costumed figures offer a unique way to experience Sir Walter Scott’s stories during a visit to Smailholm Tower. Created in 1971 to mark the 200th anniversary of Scott’s birth, the models illustrate scenes from Minstrelsy of the Scottish Border, using detailed costumes and thoughtful staging to bring key moments from the ballads to life. Displayed in the tower that helped inspire Scott as a child, the figures add an engaging visual layer to the site’s history and give visitors a memorable introduction to the characters and legends that shaped his early work.

Find out more about her work on our blog:

Conjuring up the Fairy Queen: The Art of Anne Carrick

Border Ballads Brought to Life at Smailholm Tower

A detailed model of a medieval woman wearing layered embroidered robes and a long veil, standing with one arm raised to hold a falcon. A light‑coloured hound on a leash stands at their side, with feathers and hunting gear arranged on the ground beneath them.
A scene from the ballad “The Twa Corbies,” where two crows discuss how a fallen knight has been forgotten.
A model dressed in an ornate dark gown with metallic gold patterns and a sweeping cloak, standing beside tall artificial reeds. The figure wears a decorative headdress and appears to be positioned in a dramatic, atmospheric scene.
In the Tale of Tamlane, the Queen of the Fairies kidnaps the young hero and takes him to Fairyland.
A group of four figures—an adult woman holding an infant, a young girl hugging her side, and an older woman leaning forward—stand in the foreground. Behind them, a mounted rider on a brown horse charges past, creating a sense of urgency or danger.
In The Tale of Jamie Telfer of the Fair Dodhead, Jamie leaves his wife and children to pursue cattle thieves.
A model of a medieval woman seated on wooden steps, dressed in a long green gown with patterned sleeves and a veil. She holds a small harp in her lap, her posture suggesting she is preparing to play.
Annie from the ballad “Lord Thomas and Fair Annie”. The Lord marries another woman, only to discover she is Annie’s long‑lost sister.

Our archives and collections

Get a further glimpse into Smailholm Tower's history by exploring archive images and collections objects on trove.scot, your companion to researching Scotland’s past.

A model of a cloaked figure in a green mantle kneels beside a smaller figure in blue, both looking toward a backdrop showing wire‑framed mounted soldiers with lances. A large piece of driftwood forms part of the scene’s landscape.
Front view of a tall stone tower house with a green turf roof, standing on rocky ground.
Historic engraving of a partly ruined stone tower rising above a rocky landscape.