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Creating culsh

Built in the mid‑1400s, the Lauderdale Aisle was originally the sacristy of St Mary’s — a room where a priest prepared for services and stored vestments and other religious items.

After the Reformation in 1560, the Maitland family of Lethington took over the space and used it as their burial place.

A large, ornate stone tomb monument inside a church, featuring four carved effigies lying side by side beneath arched canopies. Above them, an elaborate crest with heraldic figures and decorative carvings fills the upper section. Inscribed panels surround the effigies, and a wrought‑iron chandelier hangs in the foreground. Stone walls, wooden benches, and a large information board complete the surrounding space.

King James’s man

John, 2nd Lord Maitland became James VI’s Lord Chancellor in 1586. He was credited with revolutionising Scotland’s governance by removing power from Scotland’s aristocracy and creating an administration of professionals.

At his death in 1595, Maitland was laid to rest in the family burial vault at St Mary’s Church. His wife, Lady Jean, was buried next to him upon her death in 1609.

Some years later, John’s son, created Earl of Lauderdale by James VI in 1624, erected an elaborate monument to his father’s memory on the north wall of the burial aisle. James VI wrote an epigraph to the former chancellor to be placed on top of the monument, but this is now lost.

Statement of Significance

You can find out more about the Lauderdale Aisle by reading our Statement of Significance.

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A carved and painted wooden nativity scene mounted on a stone wall, featuring a central figure seated with a child on their lap beneath a decorative canopy, flanked by two figures offering gifts on either side. Three carved crowns are displayed on the wooden base below.
A carved nativity scene featuring the Three Wise Men. This includes a traditional depiction of Balthazar as a Black figure and Jesus as a white figure, an image that reflects historic artistic conventions but also raises questions about how race has been represented in European religious art.

Magnificent monument

The Maitland monument is a spectacular piece of commemorative sculpture. Richly ornamented, it’s one of Scotland’s most impressive memorials.

It marks an evolution in monumental sculpture, with extensive use of marble, its near full-size effigies of John Maitland and Lady Jean, and heraldic display.

It marks a transition from the symbolic memorials of the 1500s, with their use of polychromed stone, towards Baroque monuments of the 1600s. Baroque monuments are notable for their sculptural display and emphasis on prestigious materials, particularly marble.

Discover more on trove.scot

See archive photographs of St Mary's Church and the Lauderdale Aisle, plus archaeology notes and more on trove.scot. 

Explore trove.scot
A group of workers in orange hi-vis jackets abseil over a castle's battlements to inspect the wall. A still river and glimpses of a town are in the background.

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